Monday, November 17, 2014

Gothic Romanticism

Gothic Romanticism: Hawthorne, Poe and Baudelaire

1) Throughout the story, Madeline is described to have pale skin, one of the first signs picked up in the story, as vampires are unable to be in the sunlight. It was noted that they rarely leave their home; If they were vampires, this could be easily attributed to the fact that their home is water-locked, and vampires cannot cross moving water. The narrator is called to this house by his friend who wishes to have comfort, for his sister is dying, but a more sinister plot is uncovered for the sister is to be buried in a sealed tomb. This moment we should take to address that this tomb will be keeping all light form her body, specifically the light of the full moon, which can completely rejuvenate a vampire upon contact.

This plan surely had failed. As the narrator is reading the tale of Ethelred, a dragon, the symbol of Dracula, is being slain. As the shriek of the slain beast is to ring out, a very real shriek echos outward from the very tomb Madeline has been sealed in, for as the dragon dies, the dead hath risen.

 

2) Gothic writers criticize human  nature in a number of various ways ranging in their subtlety.

Most Gothic fiction points us to see the evil within ourselves, this movement inspired others to learn that understanding ones true self you cannot simply admire their good traits, you must also see and understand their bad side with equal weight and meaning.

In the tale Dr. Jekyll and Mr. Hyde, for example, Dr. Jekyll and Mr. Hyde are one and the same, yet different entirely. Jekyll is the man the public sees daily, the man he wants himself to be portrayed as. Hyde, on the other hand, is a brutish, ugly, hateful monstrosity that seeks only destruction. While the serum s the way to achieve his transformation, that is only the stories mean to it's end. It represents any 'triggers' that would set us off to show our true nature, for that's all the Hyde is, our evil and us are one and the same. We simply hide the bad away and ignore its existence until we are out of the public eye.
That has always been what Gothic Literature has stood for, showing man's true nature, that's what it still is today.

 

Tuesday, November 11, 2014

Essential Questions For This Unit

 1)In Romantic writing, stories often have characters with a sense of who they are. These people tend to have a run of luck when it comes to love, drama, and fortune. Though they do find themselves in below optimal situations, they are never nearly in the same degree of despair, danger, or depression as in Gothic Romanticism. (i.e. Annabel Lee, Edgar Allen Poe)

2) Romanticism - "...Painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the mid-19th century. Romanticism can be seen as a rejection of the precepts of order, calm, harmony, balance, idealization, and rationality that typified Classicism in general and late 18th-century Neoclassicism in particular. It was also to some extent a reaction against the Enlightenment and against 18th-century rationalism and physical materialism in general. Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, and the transcendental."
- The Encyclopedia Britannica
Gothic Romanticism - "The Gothic begins with later-eighteenth-century writers' turn to the past; in the context of the Romantic period, the Gothic is, then, a type of imitation medievalism. When it was launched in the later eighteenth century, The Gothic featured accounts of terrifying experiences in ancient castles — experiences connected with subterranean dungeons, secret passageways, flickering lamps, screams, moans, bloody hands, ghosts, graveyards, and the rest. By extension, it came to designate the macabre, mysterious, fantastic, supernatural, and, again, the terrifying, especially the pleasurably terrifying, in literature more generally. Closer to the present, one sees the Gothic pervading Victorian literature (for example, in the novels of Dickens and the Brontës), American fiction (from Poe and Hawthorne through Faulkner), and of course the films, television, and videos of our own (in this respect, not-so-modern) culture."
-The Norton Anthology of English Literature
Southern Gothic Romanticism - "The Southern Gothic movement in literature brings the atmosphere and sensibilities of the Gothic, a genre originating in late 18th century England, to the American South. As early Gothic writers used the genre in part to criticize what they saw as the moral blindness of the medieval era, so Southern Gothic writers deal with their own past through Gothic tropes. This genre is unusual as a genre in that it is significantly limited to a certain geographical space. Many of the most notable American authors of the 20th century wrote in this tradition, and the genre can be seen in music and film as well."
-Niki Foster, Wisegeek 

3) Not many movements had been this impacting in altering the standard for literary acceptance, the only other movements changing our views on anything that affected us were the Renaissance and The Great Awakening, which were movements of Art, Science, and religion, not of solely literary reform.


4) In America we see the good and the bad on a regular basis, whether we acknowledge either of them is up to perspective, standpoint, and preconception of our life ahead of us. Some of us only see the good, they never expect anything bad to happen, they always see the bright side, but when things do go wrong it affects the harder than anyone. Then, we have people who only see the dirty side of humanity, they're cynical and mistrusting of any good-will sent their direction, they fail to enjoy the nice look of things because they're too busy scrutinizing the underside of the rug. Then you have those who look at facts and see both good and bad and weigh things accordingly, but they become emotionally disenfranchised from any form of empathy. 
In retrospect, Romanticism may have been just too open-endedly chipper for some people, so to complement this, they created the tales of pure despair and agony that can plague one's life just as the good may redeem it. 
"To know beauty, one must first know the grotesque." -Leonardo Da Vinci

5) Today, some people look back at the works of Edgar Allen Poe with a sense of worship. Gothic culture has expanded, from just art and literature, to an entire writhing reveling culture of the things that make our lives dark and archaically insane, and many Gothic authors bled all the way into the 20th century still holding the original conceptual theme of Gothic Romanticism. 
(i.e. H. P. Lovecraft) 

Thursday, November 6, 2014

Pre-Socratic questions for "The Black Cat"

How did his growing reckless anger towards the animals lead to the eventual discovery of his wife's corpse?
In the process of celebrating "the beast's" disappearance, and revelry in the idea that it was gone, he didn't realize he had walled it up with the corpse, which is what led to the discovery in the end.
Why did he feel worse about killing Pluto, a house-cat, than his wife?
Because he loved the cat, unlike the other animals who the wife protected.
How does this murder reflect upon today's domestic violence?
 Today, police investigate nearly every aspect of a murder in thorough detail, and would definitely take into consideration the husband's almost relieved tone about which he described his wife's disappearance.
How has the moral view of the ratio of animal life to human life changed over the past century?
 Today, we have PETA, and laws protecting animals of all sorts, this man would be persecuted to the extreme in our time.
How does the author's calm, almost normal, tone towards the several acts of violence and murder affect the reader's reaction to these actions.
 It invokes a kind of edgy, maniacal insanity that could only be described the likes of H.P. Lovecraft.